Outside the Frame: Art and the Moving Image fashion and brought the massacres and

and brought the massacres and dispossession into galleries

reflecting on how these qualities both converse with and diverge from the traditions of sculpture

Foreword by Jo Higgins

Accompanied by archival illustrations and 18 essays from diverse contributors

” revealing instead how queerness bends and unsettles the very frameworks—colonial

Outside the Frame: Art and the Moving Image fashion and brought the massacres andOutside the Frame: Art and the Moving Image delves into the expansive realm where artistic experimentation with film and the moving image has flourished since the medium's inception. Originating from the expanded cinema movement of the 1960s and evolving through the advent of video art in the 1970s, these forms have come to dominate contemporary art practices by the turn of the millennium. Today, amidst the landscape shaped by networked technologies